{"id":1259,"date":"2013-06-09T17:29:31","date_gmt":"2013-06-09T17:29:31","guid":{"rendered":"http:\/\/antimuseum.com\/?p=1259"},"modified":"2013-06-09T17:33:26","modified_gmt":"2013-06-09T17:33:26","slug":"wallace-fountain-bw","status":"publish","type":"post","link":"https:\/\/antimuseum.com\/en\/2013\/06\/09\/wallace-fountain-bw\/","title":{"rendered":"Wallace Fountain (B&W)"},"content":{"rendered":"

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\nThe archetypal Paris fountain is a gift from Richard Wallace, an English gentleman and benefactor of the besieged Paris and Parisians in 1870, the illegitimate son of Richard Seymour-Conway and a man with a complex biography<\/a>. The fountains were designed by Lebourg<\/a>. The rationale behind the fountains is to be found in the fact that many aqueducts had been destroyed during the siege of Paris and those fountains were meant to bring drinking water to the <\/a>City. There are four caryatids, but on this picture, only 3 are visible.<\/p>\n","protected":false},"excerpt":{"rendered":"

The archetypal Paris fountain is a gift from Richard Wallace, an English gentleman and benefactor of the besieged Paris and Parisians in 1870, the illegitimate son of Richard Seymour-Conway and a man with a complex biography. The fountains were designed by Lebourg. The rationale behind the fountains is to be found in the fact that […]<\/p>\n","protected":false},"author":60439,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"dois","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[2290,436],"tags":[],"class_list":["post-1259","post","type-post","status-publish","format-standard","hentry","category-architecture-photography","category-photography"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"yoast_head":"\nWallace Fountain (B&W)<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wallace Fountain (B&W)\" \/>\n<meta property=\"og:description\" content=\"The archetypal Paris fountain is a gift from Richard Wallace, an English gentleman and benefactor of the besieged Paris and Parisians in 1870, the illegitimate son of Richard Seymour-Conway and a man with a complex biography. 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Below is a very apt\u2026","rel":"","context":"In "Architecture Photos"","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"antimuseum.com-seguin-5073","src":"https:\/\/i0.wp.com\/static.flickr.com\/3733\/13828977294_88fc31a70e_b.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/static.flickr.com\/3733\/13828977294_88fc31a70e_b.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/static.flickr.com\/3733\/13828977294_88fc31a70e_b.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":20414,"url":"https:\/\/antimuseum.com\/en\/2025\/11\/25\/high-speed-photography\/","url_meta":{"origin":1259,"position":1},"title":"High-Speed Photography: Capturing the Fountain of Explorers","author":"Yann Gourvennec","date":"November 25, 2025","format":false,"excerpt":"No digital trickery, computer doctoring, or AI nonsense on this High-speed photography shot of the Fountain of Explorers \u2013 just a slight crop on the right-hand side. 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When I saw David\u2019s challenge some time ago I went back to my archive, and found this Nov 2012 album, all shot with a 50mm f:1.4 lens all around my\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2452,"url":"https:\/\/antimuseum.com\/en\/2015\/07\/29\/abstract-pictures\/","url_meta":{"origin":1259,"position":4},"title":"Weird Abstract pictures","author":"Yann Gourvennec","date":"July 29, 2015","format":false,"excerpt":"Going through my picture files I came across a few weird abstract pictures like this one. In fact the interior of a stone roof of a medieval tower in Laroche Guyon. Or this one: the trickle of water from a Wallace fountain taken with a macro lens at close range\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/07\/49812989452_12dac9667a_k.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/07\/49812989452_12dac9667a_k.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/07\/49812989452_12dac9667a_k.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/07\/49812989452_12dac9667a_k.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/07\/49812989452_12dac9667a_k.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":937,"url":"https:\/\/antimuseum.com\/en\/2013\/04\/20\/the-fountain-which-needed-descaling\/","url_meta":{"origin":1259,"position":5},"title":"the fountain which needed descaling","author":"Yann Gourvennec","date":"April 20, 2013","format":false,"excerpt":"I wanted to take a few pictures of the stunning fountains on the Place de La Concorde a few weeks ago, but when I got there I realized there was no water. The statues were covered in scale and this was creating a very special effect which looked particularly good\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"La Concorde and la Madeleine","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8388\/8644969664_6458783f52_c.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8388\/8644969664_6458783f52_c.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm9.staticflickr.com\/8388\/8644969664_6458783f52_c.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/1259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/users\/60439"}],"replies":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/comments?post=1259"}],"version-history":[{"count":4,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/1259\/revisions"}],"predecessor-version":[{"id":1263,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/1259\/revisions\/1263"}],"wp:attachment":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media?parent=1259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/categories?post=1259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/tags?post=1259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}