{"id":20414,"date":"2025-11-25T16:48:36","date_gmt":"2025-11-25T15:48:36","guid":{"rendered":"https:\/\/antimuseum.com\/?p=20414"},"modified":"2025-11-25T16:50:23","modified_gmt":"2025-11-25T15:50:23","slug":"high-speed-photography","status":"publish","type":"post","link":"https:\/\/antimuseum.com\/en\/2025\/11\/25\/high-speed-photography\/","title":{"rendered":"High-Speed Photography: Capturing the Fountain of Explorers"},"content":{"rendered":"<p>No digital trickery, computer doctoring, or <a href=\"https:\/\/antimuseum.com\/en\/2023\/07\/04\/the-effect-of-ai-on-photography-and-beyond\/\">AI<\/a> nonsense on this High-speed photography shot of the Fountain of Explorers \u2013 just a slight crop on the right-hand side. The water droplets were captured at very high speed (1\/800 sec), low ISO (100), and from far off to keep everything pin-sharp (long depth of field). Taken one afternoon in Paris late in the day whilst the sun was still fairly high in the sky.<\/p>\n<h2>The Fountain of Explorers Pixelated<\/h2>\n<figure id=\"attachment_10796\" aria-describedby=\"caption-attachment-10796\" style=\"width: 960px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-10796 size-large\" src=\"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.jpg?resize=960%2C637&#038;ssl=1\" alt=\"Freezing Motion with High-Speed Photography\" width=\"960\" height=\"637\" srcset=\"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?resize=1024%2C679&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?resize=768%2C509&amp;ssl=1 768w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?resize=1536%2C1018&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?resize=1200%2C795&amp;ssl=1 1200w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?resize=1400%2C928&amp;ssl=1 1400w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?resize=800%2C530&amp;ssl=1 800w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.webp?w=1920&amp;ssl=1 1920w\" sizes=\"auto, (max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 85vw, 1200px\" \/><figcaption id=\"caption-attachment-10796\" class=\"wp-caption-text\">Freezing Motion with High-Speed Photography at The Fountain of Explorers<\/figcaption><\/figure>\n<p>The Fountain of Explorers, also known as the <strong>Fountain of the Four Parts of the World or the Carpeaux Fountain<\/strong>, is a stunning collaborative piece built between 1867 and 1874. It was commissioned by Baron Haussmann from Jean-Baptiste Carpeaux, Napoleon III&#8217;s official sculptor, to adorn the Garden of Great Explorers in Paris. I know Carpeaux&#8217;s work well \u2013 he was a sculptor from the Valenciennes region where I spent my youth.<\/p>\n<p>This monument symbolises <a href=\"https:\/\/paris-balades.com\/la-fontaine-des-quatre-parties-du-monde\/\" target=\"_blank\" rel=\"noopener\">the four parts of the world<\/a> (Asia, America, Europe, and Africa). Four female figures, allegories of these continents, support a celestial sphere adorned with zodiac signs. This sphere was created by Eug\u00e8ne Legrain, Carpeaux&#8217;s pupil. The fountain also features marine wildlife including horses, turtles, and dolphins, sculpted by Emmanuel Fr\u00e9miet. Carpeaux, renowned for his expressive and dynamic style, wanted to show these figures in a living, almost dancing circle. This circle embodies movement and life. It caused quite a stir when presented at the Salon in 1872. Installed in 1874, the fountain also carries a message about the recent abolition of slavery, particularly visible in the female figure symbolising Africa. See also <a href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/les-quatre-parties-du-monde-soutenant-la-sphere-celeste-15175\" target=\"_blank\" rel=\"noopener\">the Mus\u00e9e d&#8217;Orsay website<\/a>. Carpeaux&#8217;s passion for movement can also be seen in his famous group <a href=\"https:\/\/fr.wikipedia.org\/wiki\/La_Danse_(Carpeaux)\" target=\"_blank\" rel=\"noopener\">The Dance<\/a> on the Paris Opera.<\/p>\n<h3>Freezing Motion with High-Speed Photography<\/h3>\n<p>I used a very high shutter speed (1\/800 sec) to freeze the water droplets with crisp definition, low ISO (100) to maintain quality, and plenty of distance to keep everything sharp throughout the frame. This approach gives the fountain a pixelated representation, highlighting the technical and aesthetic beauty of this water sculpture in its late-afternoon Parisian setting with natural light still present.<\/p>\n<p>The Fountain of Explorers sits in a lovely green space. This is the <strong>Garden of Great Explorers<\/strong>, which runs from Observatory Avenue down towards the Luxembourg Gardens.<\/p>\n<p><strong>Some links<\/strong><\/p>\n<ul>\n<li>The Observatory Fountain &#8211; Paris&#8230; au fil des rues <a href=\"https:\/\/parisaufildesrues.wordpress.com\/2018\/05\/19\/la-fontaine-de-lobservatoire-une-des-plus-belles-de-paris\/\" target=\"_blank\" rel=\"noopener\">https:\/\/parisaufildesrues.wordpress.com\/2018\/05\/19\/la-fontaine-de-lobservatoire-une-des-plus-belles-de-paris\/<\/a><\/li>\n<li>Fountain of the Four Parts of the World <a href=\"https:\/\/www.unjourdeplusaparis.com\/paris-culture\/monument\/fontaine-quatre-parties-du-monde-carpeaux\" target=\"_blank\" rel=\"noopener\">https:\/\/www.unjourdeplusaparis.com\/paris-culture\/monument\/fontaine-quatre-parties-du-monde-carpeaux<\/a><\/li>\n<li>The fountain of the four parts of the world &#8211; Paris Balades <a href=\"https:\/\/paris-balades.com\/la-fontaine-des-quatre-parties-du-monde\/\" target=\"_blank\" rel=\"noopener\">https:\/\/paris-balades.com\/la-fontaine-des-quatre-parties-du-monde\/<\/a><\/li>\n<li>Fountain of the Four Parts of the World <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fontaine_des_Quatre-Parties-du-Monde\" target=\"_blank\" rel=\"noopener\">https:\/\/fr.wikipedia.org\/wiki\/Fontaine_des_Quatre-Parties-du-World<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>No digital trickery, computer doctoring, or AI nonsense on this High-speed photography shot of the Fountain of Explorers \u2013 just a slight crop on the right-hand side. The water droplets were captured at very high speed (1\/800 sec), low ISO (100), and from far off to keep everything pin-sharp (long depth of field). Taken one [&hellip;]<\/p>\n","protected":false},"author":60439,"featured_media":10795,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"dois","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[2290],"tags":[],"class_list":["post-20414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture-photography"],"yoast_head":"<!-- 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I have practiced photography since childhood and digital photography since 1995. I turned it into my main occupation in 2021. I own a photo studio in Paris, France. ------------ Je suis photographe et aquarelliste. Je pratique la photographie depuis l'enfance et la photographie num\u00e9rique depuis 1995. J'en ai fait mon activit\u00e9 principale en 2021. Je poss\u00e8de un studio photo dans le 15e arrondissement de Paris","sameAs":["https:\/\/visionarymarketing.com"],"url":"https:\/\/antimuseum.com\/en\/author\/visionarymarketing\/"}]}},"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1bww-5jg","jetpack-related-posts":[{"id":370,"url":"https:\/\/antimuseum.com\/en\/2020\/04\/06\/the-pixellated-fountain\/","url_meta":{"origin":20414,"position":0},"title":"the pixellated fountain","author":"Yann Gourvennec","date":"April 6, 2020","format":false,"excerpt":"This is no illusion and there was no tampering with this picture which was only slightly cropped. I captured the droplets at very high speed (1\/800 sec), low ISO (100) and at a distance so that the whole picture would be crisp (long depth of field). Shot in the late\u2026","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/49746166857_76b0600df6_k-e1586263031635.jpg?fit=998%2C302&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/49746166857_76b0600df6_k-e1586263031635.jpg?fit=998%2C302&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/49746166857_76b0600df6_k-e1586263031635.jpg?fit=998%2C302&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/49746166857_76b0600df6_k-e1586263031635.jpg?fit=998%2C302&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":465,"url":"https:\/\/antimuseum.com\/en\/2012\/11\/19\/the-fountain-in-port-royal-one-more-time\/","url_meta":{"origin":20414,"position":1},"title":"the fountain in Port Royal (one more time)","author":"Yann Gourvennec","date":"November 19, 2012","format":false,"excerpt":"It's a bit like a leitmotif, I like this fountain and its horses and the rest of its menagerie. This time, and aged snapshot taken at high speed (1\/640 sec to be precise) which (virtually) froze the water.","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/11\/8277529410_95c976eb35_k-1-e1588518219309.jpg?fit=999%2C298&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/11\/8277529410_95c976eb35_k-1-e1588518219309.jpg?fit=999%2C298&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/11\/8277529410_95c976eb35_k-1-e1588518219309.jpg?fit=999%2C298&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/11\/8277529410_95c976eb35_k-1-e1588518219309.jpg?fit=999%2C298&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3064,"url":"https:\/\/antimuseum.com\/en\/2025\/01\/23\/focus-focus\/","url_meta":{"origin":20414,"position":2},"title":"Focus On Focus","author":"Yann Gourvennec","date":"January 23, 2025","format":false,"excerpt":"Today's topic is focus, thus let's focus on focus, will you? Depth of field and bokeh are my favourite subjects. When I saw David\u2019s challenge some time ago I went back to my archive, and found this Nov 2012 album, all shot with a 50mm f:1.4 lens all around my\u2026","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/06\/11nov-lux-dsc_5070.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2503,"url":"https:\/\/antimuseum.com\/en\/2015\/10\/17\/extraordinary\/","url_meta":{"origin":20414,"position":3},"title":"The Extra-ordinary Friday Photo Challenge","author":"Yann Gourvennec","date":"October 17, 2015","format":false,"excerpt":"Yesterday\u2019s challenge was (extra) ordinary. Here is my selection. Above, the sun taken through myriad droplets of water at the fountain of the Observatory in the\u00a0Paris garden of great explorers. Do not hesitate to enlarge that picture in order to view all the details. (Extra)ordinary like these boats in Essaouira\u2026","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/10\/22240086535_3229d61239_k.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/10\/22240086535_3229d61239_k.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/10\/22240086535_3229d61239_k.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/10\/22240086535_3229d61239_k.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/10\/22240086535_3229d61239_k.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1259,"url":"https:\/\/antimuseum.com\/en\/2013\/06\/09\/wallace-fountain-bw\/","url_meta":{"origin":20414,"position":4},"title":"Wallace Fountain (B&amp;W)","author":"Yann Gourvennec","date":"June 9, 2013","format":false,"excerpt":"The archetypal Paris fountain is a gift from Richard Wallace, an English gentleman and benefactor of the besieged Paris and Parisians in 1870, the illegitimate son of Richard Seymour-Conway and a man with a complex biography. The fountains were designed by Lebourg. The rationale behind the fountains is to be\u2026","rel":"","context":"In &quot;Architecture Photos&quot;","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"antimuseum.com-denfert-5403","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8138\/8951860675_b06e7706a9_c.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8138\/8951860675_b06e7706a9_c.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm9.staticflickr.com\/8138\/8951860675_b06e7706a9_c.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":51,"url":"https:\/\/antimuseum.com\/en\/2009\/01\/10\/51\/","url_meta":{"origin":20414,"position":5},"title":"Blenheim Palace, Oxfordshire (Great Britain)","author":"Yann Gourvennec","date":"January 10, 2009","format":false,"excerpt":"I have just completed this new postcard format watercolour of a fountain at Blenheim Palace.","rel":"","context":"In &quot;Watercolor&quot;","block_context":{"text":"Watercolor","link":"https:\/\/antimuseum.com\/en\/category\/watercolor-art\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2009\/01\/loblenheim.jpg?fit=779%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2009\/01\/loblenheim.jpg?fit=779%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2009\/01\/loblenheim.jpg?fit=779%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2009\/01\/loblenheim.jpg?fit=779%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2012\/10\/22240086535_3229d61239_k.jpg?fit=2048%2C1357&ssl=1","_links":{"self":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/20414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/users\/60439"}],"replies":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/comments?post=20414"}],"version-history":[{"count":6,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/20414\/revisions"}],"predecessor-version":[{"id":20420,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/20414\/revisions\/20420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media\/10795"}],"wp:attachment":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media?parent=20414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/categories?post=20414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/tags?post=20414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}