{"id":2628,"date":"2016-04-07T21:14:09","date_gmt":"2016-04-07T21:14:09","guid":{"rendered":"https:\/\/antimuseum.com\/?p=2628"},"modified":"2023-07-05T16:55:41","modified_gmt":"2023-07-05T14:55:41","slug":"halles","status":"publish","type":"post","link":"https:\/\/antimuseum.com\/en\/2016\/04\/07\/halles\/","title":{"rendered":"Les Halles by night"},"content":{"rendered":"

\"16-Stgerauxerrois-0304016-3056.jpg\"<\/a><\/p>\n

Paris les Halles. April 2016. Click picture for details including EXIF data.<\/p>\n

\"16-Stgerauxerrois-0304016-3056.jpg\"<\/a><\/p>\n

[Apr 10 update] a discussion with my fellows from the Paris 14th district photo club led to the reframing of that picture which ended up being cropped in that way. I usually avoid reframing but I must admit they have a very good point. I could also get rid of that white bit from the pedestrian crossing on the bottom left-hand side and even that dreadful slanted post in the foreground (but these posts are everywhere it would take for ever to delete them from all my shots.<\/p>\n

\"16-Stgerauxerrois-0304016-3056.jpg\"<\/a><\/p>\n

[Late Apr 10 update] OK, I did it. I got rid of these 2 nasty bits and its a lot better now, isn\u2019t it?<\/p>\n","protected":false},"excerpt":{"rendered":"

Paris les Halles. April 2016. Click picture for details including EXIF data. [Apr 10 update] a discussion with my fellows from the Paris 14th district photo club led to the reframing of that picture which ended up being cropped in that way. 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April 2016. Click picture for details including EXIF data. [Apr 10 update] a discussion with my fellows from the Paris 14th district photo club led to the reframing of that picture which ended up being cropped in that way. 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When I compare it to my own favourite list of pictures on my Flickr profile page, I realise\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"Yann Gourvennec photography","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2022\/11\/49793289631_105c565d78_k.jpg?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2022\/11\/49793289631_105c565d78_k.jpg?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2022\/11\/49793289631_105c565d78_k.jpg?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2022\/11\/49793289631_105c565d78_k.jpg?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2022\/11\/49793289631_105c565d78_k.jpg?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":6893,"url":"https:\/\/antimuseum.com\/en\/2021\/01\/30\/art-deco-versailles-chantiers\/","url_meta":{"origin":2628,"position":3},"title":"Art Deco Railway Station in Versailles Chantiers","author":"Yann Gourvennec","date":"January 30, 2021","format":false,"excerpt":"Versailles Chantiers is one of the many railway stations in Versailles. This one is a little bit further away from the Chateau. Its name is derived from the building sites (\"Chantiers\" in French) where the stone-carving workshops were located. In a nutshell, this is the place where the stones were\u2026","rel":"","context":"In "Architecture Photos"","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2021\/01\/50687013176_110502f6bc_k-e1611999740746.jpg?fit=900%2C349&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2021\/01\/50687013176_110502f6bc_k-e1611999740746.jpg?fit=900%2C349&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2021\/01\/50687013176_110502f6bc_k-e1611999740746.jpg?fit=900%2C349&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2021\/01\/50687013176_110502f6bc_k-e1611999740746.jpg?fit=900%2C349&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":979,"url":"https:\/\/antimuseum.com\/en\/2013\/05\/01\/3-ways-of-seeing-the-paris-metro-vote-for-your-preferred-picture\/","url_meta":{"origin":2628,"position":4},"title":"3 ways of seeing the Paris metro: vote for your preferred picture","author":"Yann Gourvennec","date":"May 1, 2013","format":false,"excerpt":"When I \"developed\" that picture with my favourite piece of software (Adobe Lightroom 4), I hesitated a lot as to which kind of rendition I'd choose. At first, I really liked the original picture below. Rendition 1 (above) is therefore untouched. Except for straightening vertical lines very distorted by my\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"metro - denfert rochereau original","src":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7046\/8688778623_c4e8cae1b7_z.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7046\/8688778623_c4e8cae1b7_z.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm8.staticflickr.com\/7046\/8688778623_c4e8cae1b7_z.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2308,"url":"https:\/\/antimuseum.com\/en\/2015\/04\/06\/blurry\/","url_meta":{"origin":2628,"position":5},"title":"Blurry Pictures","author":"Yann Gourvennec","date":"April 6, 2015","format":false,"excerpt":"Blurry was a theme with the DailyPost photo challenge. \u00a0That time I must admit I felt rather spoilt for choice when it came to illustrate the challenge. I\u2019m used to taking pictures with a vintage 35 mm 1962 Nikkor manual fixed lens and you may imagine that I\u2019m rather often\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"Blurry","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/14071294447_2b2d4373aa_k.jpg?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/14071294447_2b2d4373aa_k.jpg?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/14071294447_2b2d4373aa_k.jpg?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/14071294447_2b2d4373aa_k.jpg?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/14071294447_2b2d4373aa_k.jpg?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/2628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/users\/60439"}],"replies":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/comments?post=2628"}],"version-history":[{"count":5,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/2628\/revisions"}],"predecessor-version":[{"id":14634,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/2628\/revisions\/14634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media\/14628"}],"wp:attachment":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media?parent=2628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/categories?post=2628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/tags?post=2628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}