{"id":4006,"date":"2019-06-01T08:46:58","date_gmt":"2019-06-01T06:46:58","guid":{"rendered":"http:\/\/antimuseum.com\/?p=4006"},"modified":"2023-06-13T15:33:47","modified_gmt":"2023-06-13T13:33:47","slug":"a-horse-of-a-different-colour-2","status":"publish","type":"post","link":"https:\/\/antimuseum.com\/en\/2019\/06\/01\/a-horse-of-a-different-colour-2\/","title":{"rendered":"A Horse Of  A Different Colour"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4011\" data-permalink=\"https:\/\/antimuseum.com\/en\/2019\/06\/01\/a-horse-of-a-different-colour-2\/47966207828_28dc226c83_k\/\" data-orig-file=\"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?fit=2048%2C1367&amp;ssl=1\" data-orig-size=\"2048,1367\" data-comments-opened=\"1\" data-image-meta=\"{&quot;credit&quot;:&quot;Yann Gourvennec @ygourven&quot;,&quot;camera&quot;:&quot;NIKON D810&quot;,&quot;created_timestamp&quot;:&quot;1558820328&quot;,&quot;copyright&quot;:&quot;Copyright (c) 2019 Antimuseum.com&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;250&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;}\" data-image-title=\"47966207828_28dc226c83_k\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?fit=1000%2C668&amp;ssl=1\" class=\"size-full wp-image-4011 aligncenter\" src=\"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=1000%2C667&#038;ssl=1\" alt=\"47966207828_28dc226c83_k\" width=\"1000\" height=\"667\" srcset=\"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=1536%2C1025&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=1200%2C801&amp;ssl=1 1200w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=1400%2C934&amp;ssl=1 1400w, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k.jpg?resize=800%2C534&amp;ssl=1 800w\" sizes=\"auto, (max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 85vw, 1200px\" \/>Ivry sur Seine, Paris area &#8211; Cedrac &#8211; May 2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ivry sur Seine, Paris area &#8211; Cedrac &#8211; May 2019<\/p>\n","protected":false},"author":60439,"featured_media":4013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"dois","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[436],"tags":[678148082,678148083],"class_list":["post-4006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography","tag-index","tag-prune"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"yoast_head":"<!-- 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Brutalist Architecture in Ivry When my wife told me we were en route to Ivry Sur Seine for a visit of local brutalist architecture, I thought she\u2026","rel":"","context":"In &quot;Architecture Photos&quot;","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47977551692_5b0b01d8ad_k-e1559971512156.jpg?fit=1000%2C317&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47977551692_5b0b01d8ad_k-e1559971512156.jpg?fit=1000%2C317&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47977551692_5b0b01d8ad_k-e1559971512156.jpg?fit=1000%2C317&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47977551692_5b0b01d8ad_k-e1559971512156.jpg?fit=1000%2C317&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1712,"url":"https:\/\/antimuseum.com\/en\/2013\/11\/25\/a-dutch-horse-named-cheval-de-frise-colourised-bw\/","url_meta":{"origin":4006,"position":1},"title":"A Dutch Horse Named &#8220;Cheval de Frise&#8221; (colourised B&amp;W)","author":"Yann Gourvennec","date":"November 25, 2013","format":false,"excerpt":"Often Wondered why these barbed wire contraptions were called \"Cheval de Frise\" (literally Frisian Horse). It turns out the Dutch were using them to stop Spanish horses during their war of independence (1568-1648). Here I found them in the heart of Brussels, a stone's throw from the Royal Palace. They\u2026","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"antimuseum.com-bruxelles-3794","src":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7396\/10850091813_4d6bbc4f05_z.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7396\/10850091813_4d6bbc4f05_z.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm8.staticflickr.com\/7396\/10850091813_4d6bbc4f05_z.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":903,"url":"https:\/\/antimuseum.com\/en\/2013\/04\/09\/a-horse-of-a-different-colour\/","url_meta":{"origin":4006,"position":2},"title":"A horse of a different colour","author":"Yann Gourvennec","date":"April 9, 2013","format":false,"excerpt":"As I see my readers aren't that extatic about paragliders (fancy me taking all these risks for nothing!) Well, anyway, I thought I's show you horses from over there in the Alps. And a few donkeys too...","rel":"","context":"In &quot;Animal Photos&quot;","block_context":{"text":"Animal Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/animal-photography\/"},"img":{"alt_text":"horses in the Alps","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8123\/8626124117_30e415f0a9_z.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8123\/8626124117_30e415f0a9_z.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm9.staticflickr.com\/8123\/8626124117_30e415f0a9_z.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2914,"url":"https:\/\/antimuseum.com\/en\/2017\/02\/16\/olympic-towers\/","url_meta":{"origin":4006,"position":3},"title":"Olympic Towers","author":"Yann Gourvennec","date":"February 16, 2017","format":false,"excerpt":"Les Olympiades, a Council Estate (social housing) development in the Southeast of Paris (13th district). This is the epicentre of the Chinese quarter of Paris. All towers are named after a City which housed the Olympic games hence its name.","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/02\/olylmpic-towers-les-olympiades.jpg?fit=800%2C533&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/02\/olylmpic-towers-les-olympiades.jpg?fit=800%2C533&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/02\/olylmpic-towers-les-olympiades.jpg?fit=800%2C533&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/02\/olylmpic-towers-les-olympiades.jpg?fit=800%2C533&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":964,"url":"https:\/\/antimuseum.com\/en\/2013\/04\/28\/great-gate\/","url_meta":{"origin":4006,"position":4},"title":"Great gate","author":"Yann Gourvennec","date":"April 28, 2013","format":false,"excerpt":"Man passing behind the beautiful gate at potager du Roi. The wide expanse of water behind provides the beautiful bluish background. None of the colours have been tampered with, the photo wasn't touched at all. Nor we're the two others below Close up snapshot of the wrought iron work on\u2026","rel":"","context":"In &quot;Photography&quot;","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"antimuseum.com-_DSC4018","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8263\/8678258777_3bb5ed5806_z.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8263\/8678258777_3bb5ed5806_z.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm9.staticflickr.com\/8263\/8678258777_3bb5ed5806_z.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1950,"url":"https:\/\/antimuseum.com\/en\/2014\/04\/27\/blue-wallace\/","url_meta":{"origin":4006,"position":5},"title":"Blue Wallace","author":"Yann Gourvennec","date":"April 27, 2014","format":false,"excerpt":"There is this new trend in Paris whereby Wallace fountains are painted all kinds of colours (above, Poterne des Peupliers in a yet to be inaugurated new housing development - use Streetview to get back in time). Sir Richard must be turning in his grave. Below is a very apt\u2026","rel":"","context":"In &quot;Architecture Photos&quot;","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"antimuseum.com-seguin-5073","src":"https:\/\/i0.wp.com\/static.flickr.com\/3733\/13828977294_88fc31a70e_b.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/static.flickr.com\/3733\/13828977294_88fc31a70e_b.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/static.flickr.com\/3733\/13828977294_88fc31a70e_b.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2019\/06\/47966207828_28dc226c83_k-1-e1559371995377.jpg?fit=1964%2C681&ssl=1","_links":{"self":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/4006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/users\/60439"}],"replies":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/comments?post=4006"}],"version-history":[{"count":4,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/4006\/revisions"}],"predecessor-version":[{"id":13867,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/4006\/revisions\/13867"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media\/4013"}],"wp:attachment":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media?parent=4006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/categories?post=4006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/tags?post=4006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}