{"id":4331,"date":"2020-03-30T07:41:04","date_gmt":"2020-03-30T05:41:04","guid":{"rendered":"http:\/\/antimuseum.com\/?p=4331"},"modified":"2020-12-02T19:21:12","modified_gmt":"2020-12-02T18:21:12","slug":"yellow-skies","status":"publish","type":"post","link":"https:\/\/antimuseum.com\/en\/2020\/03\/30\/yellow-skies\/","title":{"rendered":"Yellow Skies"},"content":{"rendered":"

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A wee study for a new watercolour in the making. It’s a very small 4×4 inches format on soft handmade 120-grammes watercolour paper (hence very hard to work with as my preferred grammage is 600 g which is a bit like cardboard and suits my style of painting best as I keep adding layers and layers and layers as in this picture<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

A wee study for a new watercolour in the making. It’s a very small 4×4 inches format on soft handmade 120-grammes watercolour paper (hence very hard to work with as my preferred grammage is 600 g which is a bit like cardboard and suits my style of painting best as I keep adding layers and […]<\/p>\n","protected":false},"author":60439,"featured_media":4332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"dois","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[234155],"tags":[],"class_list":["post-4331","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watercolor-art"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"yoast_head":"\nYellow Skies<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yellow Skies\" \/>\n<meta property=\"og:description\" content=\"A wee study for a new watercolour in the making. It’s a very small 4×4 inches format on soft handmade 120-grammes watercolour paper (hence very hard to work with as my preferred grammage is 600 g which is a bit like cardboard and suits my style of painting best as I keep adding layers and […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/antimuseum.com\/en\/2020\/03\/30\/yellow-skies\/\" \/>\n<meta property=\"og:site_name\" content=\"Yann Gourvennec - Photography\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AntimuseumParis\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-30T05:41:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-12-02T18:21:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2020\/03\/64e69f9f-964b-4759-9165-c8f562105c0d-e1585546325885.jpeg?fit=998%2C301&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"998\" \/>\n\t<meta property=\"og:image:height\" 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I have decided to present the various stages of the design of that watercolour. this watercolour depicts a 'villa' which in Paris speak means a privatised dead-end street (not the usual meaning of villa as\u2026","rel":"","context":"In "Watercolor"","block_context":{"text":"Watercolor","link":"https:\/\/antimuseum.com\/en\/category\/watercolor-art\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2007\/07\/lovillahallefinal.jpg?fit=850%2C658&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2007\/07\/lovillahallefinal.jpg?fit=850%2C658&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2007\/07\/lovillahallefinal.jpg?fit=850%2C658&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2007\/07\/lovillahallefinal.jpg?fit=850%2C658&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":37,"url":"https:\/\/antimuseum.com\/en\/2007\/07\/07\/saint-jacques\/","url_meta":{"origin":4331,"position":2},"title":"Waking-up in Saint-Jacques (Paris 14)","author":"Yann Gourvennec","date":"July 7, 2007","format":false,"excerpt":"this is my latest watercolour depicting the early morning hours in Saint-Jacques,our area around Montparnasse and Denfert-Rochereau in Paris. The idea was not so much to describe the area but rather to tell a story - as long as brushes can tell a story - about a day in the\u2026","rel":"","context":"In "Watercolor"","block_context":{"text":"Watercolor","link":"https:\/\/antimuseum.com\/en\/category\/watercolor-art\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2011\/03\/bloglo-petit-stjacques-nuit.jpg?fit=350%2C306&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":17866,"url":"https:\/\/antimuseum.com\/en\/2025\/03\/22\/the-blind-truth\/","url_meta":{"origin":4331,"position":3},"title":"The blind truth","author":"Yann Gourvennec","date":"March 22, 2025","format":false,"excerpt":"This image reveals the blind truth about the business world. A simple yet tale-telling picture which is worth a thousand words. The fa\u00e7ade of the business world resembles the endless rows of glass panels I captured on that clear, bright evening. At first glance, structured, sleek, impressively ordered\u2014an unbroken sequence\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"The Blind Truth","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/03\/The-Blind-Truth-Antimuseum-Yann-Gourvennec.webp?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/03\/The-Blind-Truth-Antimuseum-Yann-Gourvennec.webp?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/03\/The-Blind-Truth-Antimuseum-Yann-Gourvennec.webp?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/03\/The-Blind-Truth-Antimuseum-Yann-Gourvennec.webp?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/03\/The-Blind-Truth-Antimuseum-Yann-Gourvennec.webp?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":19487,"url":"https:\/\/antimuseum.com\/en\/2025\/07\/10\/pointillism-painting-with-my-camera\/","url_meta":{"origin":4331,"position":4},"title":"Pointillism Painting With My Camera","author":"Yann Gourvennec","date":"July 10, 2025","format":false,"excerpt":"Pointillism is, according to Sotheby\u2019s,\u00a0\u2018a revolutionary painting technique pioneered by Georges Seurat and Paul Signac in Paris in the mid-1880s. Yesterday, I discovered it could be a pioneering technique for modern photographers. Unless it\u2019s not that new as we will find out in a moment. Pointillism Painting With My Camera\u2026","rel":"","context":"In "Color Photography"","block_context":{"text":"Color Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/color-photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/07\/54643057992_b7a9b0bd6e_k.webp?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/07\/54643057992_b7a9b0bd6e_k.webp?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/07\/54643057992_b7a9b0bd6e_k.webp?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/07\/54643057992_b7a9b0bd6e_k.webp?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2025\/07\/54643057992_b7a9b0bd6e_k.webp?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":63,"url":"https:\/\/antimuseum.com\/en\/2026\/05\/11\/st-jacques-paris-3-different-views\/","url_meta":{"origin":4331,"position":5},"title":"Saint-Jacques in Paris – 3 different views","author":"Yann Gourvennec","date":"May 11, 2026","format":false,"excerpt":"The Saint-Jacques district in Paris has been a constant source of inspiration to me. One day, as I was looking for new subjects, while I was browsing my notes I took a look across the back of our building. There was so much on my plate just by looking at\u2026","rel":"","context":"In "Watercolor"","block_context":{"text":"Watercolor","link":"https:\/\/antimuseum.com\/en\/category\/watercolor-art\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2020\/11\/lostjacqueslanuit.jpg?fit=860%2C583&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2020\/11\/lostjacqueslanuit.jpg?fit=860%2C583&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2020\/11\/lostjacqueslanuit.jpg?fit=860%2C583&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2020\/11\/lostjacqueslanuit.jpg?fit=860%2C583&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2020\/03\/64e69f9f-964b-4759-9165-c8f562105c0d-e1585546325885.jpeg?fit=998%2C301&ssl=1","_links":{"self":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/4331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/users\/60439"}],"replies":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/comments?post=4331"}],"version-history":[{"count":3,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/4331\/revisions"}],"predecessor-version":[{"id":4336,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/4331\/revisions\/4336"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media\/4332"}],"wp:attachment":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media?parent=4331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/categories?post=4331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/tags?post=4331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}