{"id":714,"date":"2013-03-15T06:18:11","date_gmt":"2013-03-15T06:18:11","guid":{"rendered":"http:\/\/antimuseum.com\/?p=714"},"modified":"2023-06-06T11:29:58","modified_gmt":"2023-06-06T09:29:58","slug":"one-two-three-four-einstein-on-the-beach","status":"publish","type":"post","link":"https:\/\/antimuseum.com\/en\/2013\/03\/15\/one-two-three-four-einstein-on-the-beach\/","title":{"rendered":"one two three four … Einstein On The Beach"},"content":{"rendered":"

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\u201cKnee play\u201d is the opening piece of Einstein on the Beach, Philip Glass\u2019s famous opera (1979)<\/a>. For an extensive explanation of \u201cknee plays\u201d and namely knee play 1 and its random numbers, please check Nicolas Sceaux\u2019s page<\/a>. This is a close-up of my old Swedish computing machine, a pre-computer model from the 1950s which works, like Pascal\u2019s calculator<\/a> by adding and substracting numbers, hence enables one \u2013 through complex shifting mechanisms \u2013 to multiply and divide too. I used to be able to compute faster with this machine than typing on an electronic calculator. Please note that I\u2019m not that old, I got that machine when I was 18 or so, and it used to be a sort of game for me to compare how fast one could use it. You are now entitled to listen to Knee Play 1. Don\u2019t forget to buy the record!<\/p>\n\n","protected":false},"excerpt":{"rendered":"

\u201cKnee play\u201d is the opening piece of Einstein on the Beach, Philip Glass\u2019s famous opera (1979). For an extensive explanation of \u201cknee plays\u201d and namely knee play 1 and its random numbers, please check Nicolas Sceaux\u2019s page. This is a close-up of my old Swedish computing machine, a pre-computer model from the 1950s which works, […]<\/p>\n","protected":false},"author":60439,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"dois","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[183837,436],"tags":[],"class_list":["post-714","post","type-post","status-publish","format-standard","hentry","category-macro-photography","category-photography"],"blocksy_meta":[],"yoast_head":"\none two three four ... 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It was one of those depressing jobs for highbrows except the listeners weren\u2019t particularly intellectual so we felt for\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605479923_2e8ea9ff2f_k.jpg?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605479923_2e8ea9ff2f_k.jpg?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605479923_2e8ea9ff2f_k.jpg?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605479923_2e8ea9ff2f_k.jpg?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605479923_2e8ea9ff2f_k.jpg?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2695,"url":"https:\/\/antimuseum.com\/en\/2016\/07\/15\/details\/","url_meta":{"origin":714,"position":3},"title":"The Devil is in there","author":"Yann Gourvennec","date":"July 15, 2016","format":false,"excerpt":"The devil, and the lizard, is in the details as the saying goes. I caught that one above amongst the rocks outside Port Royal des Champs Abbey in the South West of Paris a few years back. One really has to focus to catch a glimpse of the \u2019beast'. More\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605315734_b831a8b866_h.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605315734_b831a8b866_h.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605315734_b831a8b866_h.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605315734_b831a8b866_h.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2016\/07\/27605315734_b831a8b866_h.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2544,"url":"https:\/\/antimuseum.com\/en\/2015\/12\/05\/jean-claude-deret\/","url_meta":{"origin":714,"position":4},"title":"Eye – Jean Claude Deret","author":"Yann Gourvennec","date":"December 5, 2015","format":false,"excerpt":"This week\u2019s photo challenge is \u201ceye\u201d. So I went through my latest pictures and found a series shot in Blois, in the Loire valley, during a theatre play. The play was staged and written by Jean-Claude Deret, a French actor who is also the Father of a celebrated actress and\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/12\/22639442148_950e72b349_k.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/12\/22639442148_950e72b349_k.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/12\/22639442148_950e72b349_k.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/12\/22639442148_950e72b349_k.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/12\/22639442148_950e72b349_k.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":14003,"url":"https:\/\/antimuseum.com\/en\/2023\/06\/23\/the-sky-sunrise-sunset-repeat\/","url_meta":{"origin":714,"position":5},"title":"The Sky: Sunrise, Sunset, Repeat","author":"Emilie Leger","date":"June 23, 2023","format":false,"excerpt":"The Beauty in the Sky Every day starts the same, with a sunrise painted across the sky, there comes a period of (typically) blue calm or cloudy skies, then most people's favorite, sunset. It is a beautiful cycle that I look forward to every day, for me it symbolizes a\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/pyramide-2.jpg?fit=1200%2C792&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/pyramide-2.jpg?fit=1200%2C792&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/pyramide-2.jpg?fit=1200%2C792&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/pyramide-2.jpg?fit=1200%2C792&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/04\/pyramide-2.jpg?fit=1200%2C792&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/users\/60439"}],"replies":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/comments?post=714"}],"version-history":[{"count":9,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/714\/revisions"}],"predecessor-version":[{"id":13375,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/714\/revisions\/13375"}],"wp:attachment":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media?parent=714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/categories?post=714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/tags?post=714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}