{"id":8064,"date":"2021-03-21T17:58:31","date_gmt":"2021-03-21T16:58:31","guid":{"rendered":"https:\/\/antimuseum.com\/?p=8064"},"modified":"2025-10-29T14:30:35","modified_gmt":"2025-10-29T13:30:35","slug":"abstract-view","status":"publish","type":"post","link":"https:\/\/antimuseum.com\/en\/2021\/03\/21\/abstract-view\/","title":{"rendered":"Abstract View of an Art Nouveau Building"},"content":{"rendered":"
\"Abstract
Abstract view of a reflection in an Art Nouveau window<\/figcaption><\/figure>\n

Art nouveau<\/a> building Rue Boulard in the fourteenth district. Rather than focus on the architecture itself (more about that per below) I have decided to dwell on an abstract view of a reflection in one of the oval windows.<\/p>\n

\"Abstract<\/p>\n

Mosaic details taken from the front door. The Eli Paseos Art nouveau blog<\/a>\u00a0has a story about this house as well as a collection of blog posts regarding Art nouveau. Here is what she says about that building:<\/p>\n

The door is quite unusual, and it’s part of a building which was probably erected towards the end of the Art Nouveau period, due to its somewhat too rectilinear shape. It’s magnificent however, entirely made of glass and wrought iron, encircling round shapes decorated with fine mosaics (probably Gentil & Bourdet, like the panels on the fa\u00e7ades).<\/p><\/blockquote>\n

I found more information about that building on the inevitable Wikipedia<\/a><\/p>\n

No. 1 [Rue Boulard]: an early 20th century tenement building. This undated and unsigned building belongs to the late Art Nouveau period. However, its building permit of 13 February 1911 indicates who commissioned it, \u00c9mile G\u00e9roudeau, as well as its architect, Boucher. This building has many original features such as its double windows and rounded balconies. One can also note, along the fa\u00e7ade, long garlands of sandstone flowers.<\/p><\/blockquote>\n

\"Abstract
A non-abstract view of Rue Boulard on a shot which was taken, it seems, at the beginning of the twentieth century.<\/figcaption><\/figure>\n

As to its name, it comes from a Mr.\u00a0Boulard, a philanthropist, who made bequests to the “[les enfants de l’]Assistance publique”, literally the “children of public assistance”, sort of State-owned charity aimed at taking care of children, especially those without support or families. An institution similar to the workhouses in Britain in the nineteenth century. Many famous people lived here including Paul Gaugin who was staying with his friend Schuffenecker at number 29<\/a>.<\/p>\n

\"abstract
By Paul Gauguin – 1gFCrtUCaX6izg at Google Cultural Institute, \u00a0Public Domain<\/a><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Art nouveau building Rue Boulard in the fourteenth district. Rather than focus on the architecture itself (more about that per below) I have decided to dwell on an abstract view of a reflection in one of the oval windows. Mosaic details taken from the front door. The Eli Paseos Art nouveau blog\u00a0has a story about […]<\/p>\n","protected":false},"author":60439,"featured_media":8084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"dois","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[2290],"tags":[],"class_list":["post-8064","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture-photography"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":7}},"yoast_head":"\nAbstract View of an Art Nouveau Building - 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From metro stations to churches, to pop culture, the impact of Art Nouveau in Montmartre is ever present. Art Nouveau in Montmartre Saint Jean de Montmartre Art Nouveau is ubiquitous in Paris. Opposite the Abbesses metro station in Montmartre,\u2026","rel":"","context":"In "Architecture Photos"","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"Art nouveau \u00e0 Montmartre","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2024\/06\/23640591811_fa418f2463_k-e1718716704619.webp?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2024\/06\/23640591811_fa418f2463_k-e1718716704619.webp?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2024\/06\/23640591811_fa418f2463_k-e1718716704619.webp?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2024\/06\/23640591811_fa418f2463_k-e1718716704619.webp?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2024\/06\/23640591811_fa418f2463_k-e1718716704619.webp?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3007,"url":"https:\/\/antimuseum.com\/en\/2017\/05\/14\/reflections-2\/","url_meta":{"origin":8064,"position":2},"title":"Reflections","author":"Yann Gourvennec","date":"May 14, 2017","format":false,"excerpt":"Photographs of reflections in puddles, mirrors etc. In Paris and elsewhere in France","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/05\/28266689792_cc5c89fae8_k.jpg?fit=801%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/05\/28266689792_cc5c89fae8_k.jpg?fit=801%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/05\/28266689792_cc5c89fae8_k.jpg?fit=801%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2017\/05\/28266689792_cc5c89fae8_k.jpg?fit=801%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2454,"url":"https:\/\/antimuseum.com\/en\/2015\/08\/23\/good-day-photo-challenge\/","url_meta":{"origin":8064,"position":3},"title":"A Good Day In The Country","author":"Yann Gourvennec","date":"August 23, 2015","format":false,"excerpt":"Back from hols, and back in the saddle for more photo challenges. Catching up with the latest photo challenge entitled \u201ctoday was a good day\u201d I was slightly puzzled by the grammar but nonetheless will resolutely tell a story in the past tense, even though it\u2019s a recent past. A\u2026","rel":"","context":"In "Architecture Photos"","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/08\/17775039544_21c603c56c_k.jpg?fit=801%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/08\/17775039544_21c603c56c_k.jpg?fit=801%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/08\/17775039544_21c603c56c_k.jpg?fit=801%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2015\/08\/17775039544_21c603c56c_k.jpg?fit=801%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":14060,"url":"https:\/\/antimuseum.com\/en\/2023\/06\/27\/reflection-on-the-reflecting\/","url_meta":{"origin":8064,"position":4},"title":"Reflection on the Reflecting","author":"Emilie Leger","date":"June 27, 2023","format":false,"excerpt":"Reflections A reflection, not in the metaphorical sense but in the physical sense, is a return of light waves from a surface that produces an image as if it's a mirror. There is also a metaphorical sense of reflecting, the act of thinking back and contemplating. The biggest thing I\u2026","rel":"","context":"In "Photography"","block_context":{"text":"Photography","link":"https:\/\/antimuseum.com\/en\/category\/photography\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2023\/06\/9606132924_b28e0313be_k.jpg?fit=801%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2023\/06\/9606132924_b28e0313be_k.jpg?fit=801%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2023\/06\/9606132924_b28e0313be_k.jpg?fit=801%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2023\/06\/9606132924_b28e0313be_k.jpg?fit=801%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1158,"url":"https:\/\/antimuseum.com\/en\/2013\/05\/30\/alexandre-iii-bridge-quintessentially-art-nouveau\/","url_meta":{"origin":8064,"position":5},"title":"Alexandre III Bridge: Quintessentially Art Nouveau","author":"Yann Gourvennec","date":"May 30, 2013","format":false,"excerpt":"Alexandre III, built from 1896-1900 is the quintessential Art Nouveau bridge. Here are a few shots taken in perfect \"menacing clouds\" kind of weather (mind you, we didn't get much else this year in Western Europe). Statue 1 is a classic view, but I like the \"Love You\" note on\u2026","rel":"","context":"In "Architecture Photos"","block_context":{"text":"Architecture Photos","link":"https:\/\/antimuseum.com\/en\/category\/photography\/architecture-photography\/"},"img":{"alt_text":"Alexander III \/Alexandre III and the Eiffel tower","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8264\/8757324327_f9e8987350_z.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8264\/8757324327_f9e8987350_z.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/farm9.staticflickr.com\/8264\/8757324327_f9e8987350_z.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/antimuseum.com\/wp-content\/uploads\/2021\/03\/abstract-view.jpg?fit=901%2C349&ssl=1","_links":{"self":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/8064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/users\/60439"}],"replies":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/comments?post=8064"}],"version-history":[{"count":12,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/8064\/revisions"}],"predecessor-version":[{"id":20270,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/posts\/8064\/revisions\/20270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media\/8084"}],"wp:attachment":[{"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/media?parent=8064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/categories?post=8064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antimuseum.com\/en\/wp-json\/wp\/v2\/tags?post=8064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}