The blind truth

This image reveals the blind truth about the business world. A simple yet tale-telling picture which is worth a thousand words. The façade of the business world resembles the endless rows of glass panels I captured on that clear, bright evening. At first glance, structured, sleek, impressively ordered—an unbroken sequence of repeated patterns. Yet, looking deeper, I find hidden imperfections, interruptions, and subtle misalignments. Just as each glass panel subtly distorts reality, businesses often distort their own narratives, revealing only what is intended, keeping behind blinds the truths that are uncomfortable to acknowledge. Here’s an invitation to introspection: rows upon rows of windows, all looking like each other, looking almost identical… until you fall upon this fatal glitch. The tell-tale detail that shows the world isn’t perfect after all.

The Blind Truth About the Business World

The Blind Truth
The blind truth about the business world, as I often recount on my Visionary Marketing website – Boulogne-Billancourt – Paris – March 2025

In my 30 years of navigating the world of marketing, I’ve observed businesses struggle between transparency and concealment, much like the blinds in these windows. Leaders champion openness publicly while privately fearing that transparency might expose weaknesses. Conversely, I’ve also heard business leaders show their stigmata to the world as if they were Jesus come down from the cross.

_ Touch my wounds, and ye shall be healed!

Transparency is proclaimed as a virtue, yet the business world is built upon layers of necessary illusions—budgets embellished, projections polished, strategies presented with orchestrated confidence. Sheer luck turned into fake mastery. We market successes loudly, minimising whispers of setbacks and failures. It’s all cheap storytelling when you think of it. It’s not so much the pressure to up hold appearances vs the courage to speak truthfully. At the end of the day, all of this is very Shakespearean.

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing.

As you like it, Act II scene 7

A single window in my image stands partially exposed—a poignant symbol. In business, just as in photography, partial exposure reveals more truth than full concealment or complete openness. Absolute transparency, after all, remains unrealistic; absolute concealment unsustainable. All of this reminds me of Poe’s Purloined Letter.

During my career, I’ve often encountered many businesses whose blinds were permanently closed. Their façade of perfection was impressive, yet unsustainable, as truths inevitably seeped through the cracks.

Ultimately, in the business world—as in photography—the most compelling stories are those that reveal truths honestly and authentically.

Thus, next time you gaze upon a building of endless glass panels, consider the blind truth that lies behind the blinds. For this is the blind truth of the world, my friends, that stage we’re all thrown upon.

 

Yann Gourvennec
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Yann Gourvennec
Yann Gourvennec

I'm a photographer and watercolourist. I have practiced photography since childhood and digital photography since 1995. I turned it into my main occupation in 2021. I own a photo studio in Paris, France.
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Je suis photographe et aquarelliste. Je pratique la photographie depuis l'enfance et la photographie numérique depuis 1995. J'en ai fait mon activité principale en 2021. Je possède un studio photo dans le 15e arrondissement de Paris

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